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Richard Prentice
Home
About
The Collection
Buy On-line
Anthropogenic Vase
Film, Media, & Book
Image Archive
Contact & Press
Local Places
0
0
Home
About
The Collection
Buy On-line
Anthropogenic Vase
Film, Media, & Book
Image Archive
Contact & Press
Local Places
On-line Gallery › Grey, Ocean Blue, Aventurine and Black Sea Globe (Platinum)
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Grey, Ocean Blue, Aventurine and Black Sea Globe (Platinum)

£295.00
Sold

Dimensions: H: 10.5cms D: 10.5cms

Clay: Earthenware

Technique: Slip cast

Glaze: Grey, aventurine, ocean blue, black, platinum

Sculpture / Non Functional

Earthenware Sea Globes are fired many times to create complex glazing designs that have been abstractly inspired by the coastline where I live and work. The deep iron, aventurine and black tones are contrasted by a grey panel with random angular black markings abstractly inspired by stones on the Pembrokeshire coast. Beautiful rippling shades of deep and pale ocean blue are fused between the stones and rocks. During the final firing platinum detailing has been applied to the rim.

I complete very few Earthenware Sea Globes due to the success rate being low caused by the multiple firings and complex glazing designs. Each piece is unique and designed purely as a sculptural “objet d’art” and is not functional (i.e. should not be used as a vase)

Initialled on the base

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Dimensions: H: 10.5cms D: 10.5cms

Clay: Earthenware

Technique: Slip cast

Glaze: Grey, aventurine, ocean blue, black, platinum

Sculpture / Non Functional

Earthenware Sea Globes are fired many times to create complex glazing designs that have been abstractly inspired by the coastline where I live and work. The deep iron, aventurine and black tones are contrasted by a grey panel with random angular black markings abstractly inspired by stones on the Pembrokeshire coast. Beautiful rippling shades of deep and pale ocean blue are fused between the stones and rocks. During the final firing platinum detailing has been applied to the rim.

I complete very few Earthenware Sea Globes due to the success rate being low caused by the multiple firings and complex glazing designs. Each piece is unique and designed purely as a sculptural “objet d’art” and is not functional (i.e. should not be used as a vase)

Initialled on the base

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Richard Prentice - Studio Pottery & Ceramic Artist

The Cowshed, Clover Park, Sardis, Saundersfoot, Pembrokeshire SA69 9AW

enquiry@blackbirdceramics.co.uk
(44) 07775 943098

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©RichardPrentice2026